Tuesday, December 2, 2008
Tuesday, November 11, 2008
'When You're Not Your Body' is video installation that simulates a process of decentering, where an awareness of the viewer's selfhood is disrupted. Since the beginning of video art practices, one of the key quality that interested artists is its ‘live’ transmission. Video artists since the 60s, like Bruce Nauman and Vito Acconci, have explored this particular quality, creating works that challenges our sense of identity and self in a specific time and place through the effects of video transmission. This transmission provides the viewer with a concrete representation of him/her being in another space (the screening space for instance), while also telling us that we are in ‘here’ (in the gallery space), and this element of displacement can create feelings such as anxiety, alienation or amusement, challenging the way we understand optical perspective and cognition of both time and space.
By using digital video feed, the viewer is made to confront himself or herself as an 'other', an image or a subject that is separated yet recognisably part of oneself. Through this, the artist hopes to provoke the audience into thinking about the meaning of being in existence.
Thursday, October 16, 2008
Saturday, October 11, 2008
BSAP 08 | Chang Yoong Chia + Teoh Ming Wah - Safe House: Flora and Fauna Series III
Valentine Willie Fine Art and Bombay Sapphire is delighted to present Chang Yoong Chia's new installation entitled, Flora & Fauna Series III - Safe House, as part of this year's Bombay Sapphire Art Projects. In this highly anticipated third installment of his acclaimed Flora & Fauna series, Yoong Chia develops upon a paradox that is progressively made apparent in this body of works, exploring the intersection between his art and the aesthetics of museum display.
The Flora & Fauna series, which began in 2003, are 'largely driven by emotions, subjectivity, and the recollection of stray memories' in the form of surreal non-linear narratives. Yoong Chia notes that, 'It is, in many ways, the complete opposite of what museums represent.' Nevertheless his increasing use of fragile materials, like seashells, eggshells, insect wings, spider's web, human hair and animal bones as a canvas or platform for his paintings require them to be encased in protective custom-made vitrines for display. He adds, 'They start to resemble artifacts found in natural history or ethnological museums.'
The installation not only creates a museum space but also replicates its disciplinary structure - scientific categorization, textual interpretation of material, etc. It represents a rational system of order that reads against Yoong Chia's painted objects which are fragile and emotive, creating an irresolvable tension that underscores the complex spatial negotiations between the rational and the irrational.
Tuesday, September 23, 2008
Friday, September 19, 2008
List of participating Indonesian + Filipino artists
Indonesia
Bagasworo Aryaningtyas, 'Bilal'
Wimo Ambala Bayang, 'Sabar'
Febie Babyrose, 'Trap'
Maulana Muhammad Pasha, 'Jalan Tak Ada Ujung'
Ruddy Hatumena, 'The Blue Flashing Lights'
Cinanti Astria, 'Silence Mysteries'
Muhammad Akbar, 'Evergreen'
Otty Widasari, 'Rumah'
Yusuf Ismail, 'Let Us Laugh'
The Philippines
Cesar Hernando, Eli Guieb III & Jimbo Albano, 'Kalawang'
Kiri Dalena & ST Exposure, 'Red Saga'
Roxlee, 'The Great Smoke'
Antoinette Jadonne, 'it feels so good to be alive'
Tad Ermitano, 'Cathode Jam'
Poklong Anading, 'Line Drawing'
Lyle Sacris, 'Self-Portrait (Work-in-Progress)'